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VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA

Yıl 2021, Cilt: 18 Sayı: 47, 271 - 281, 28.04.2021

Öz

In the 19th century femininity was constructed upon docility norms and on the role played by a woman in the family either as wife to her husband or mother to her children. A docile woman is a woman who is submissive, devoid of freedom to decide on her body and self, and conforms to the de-fleshed image of femininity created by patriarchy. Nora in Henrik Ibsen’s A Doll’s House and Candida in Bernard Shaw’s Candida are female characters who reject or subvert the docility norms of the 19th century by trying to build an independent identity for themselves and refusing the roles imposed on them by the traditional patriarchal society. Employing Luce Irigaray’s term ‘disruptive excess,’ they represent ‘disruptive excess’ who do not conform to the image of femininity created by the 19th patriarchal ideology. This paper studies A Doll’s House and Candida in terms of how Nora and Candida question patriarchal codes of thinking and subvert with their behavior, ideas, or personal change the docility norms they are expected to conform in the marriage institution of the late Victorian era.

Kaynakça

  • Adams, E. (1977). Sex roles or true vocation. (Ed. R. Weintraub), Fabian Feminism, London: The Pennsylvania State University Press.
  • Foucault, M. (1995). Discipline & punish. New York: Vintage Books.
  • Gilbert, S. & Gubar, S. (1979). The madwoman in the attic. New Haven: Yale University Press.
  • Gilmartin, A. (1965). Mr. Shaw’s many mothers. The Shaw Review, 8(3), 93-103. Retrieved March 28, 2021, from http://www.jstor.org/stable/40682068
  • Grene, N. (1984). Bernard Shaw - A critical view. London: Macmillan Press.
  • Hemmer, B. (1994). Ibsen and the realistic problem drama. (Ed. by J. McFarlane), The Cambridge companion to Ibsen. Cambridge: Cambridge University Press.
  • Holroyd, M. (1979). George Bernard Shaw: Women and the body politic. Critical Inquiry, 6(1), 17-32. Retrieved March 30, 2021, from http://www.jstor.org/stable/1343083
  • Ibsen, H. (1998). Four major plays. New York: Oxford World's Classics.
  • Moi, T. (1985). Sexual/textual politics. New York: Methuen
  • Öğünç, B . (2017). From Mrs Warren’s profession to press cuttings: the woman question in George Bernard Shaw’s plays. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, (37), 55-66 . DOI: 10.21497/sefad.328244
  • Shaw, B. (1898). Plays pleasant. New York: Penguin Plays.
  • Shaw, B. (1986). Major critical essays. New York: Penguin Classics.
  • Templeton, J. (2015). Ibsen’s women. Plunket Lake Press, 2015.
  • Weintraub, R. (1977). Fabian feminist: Bernard Shaw and woman. Pensylvania: Pensylvania State University Press.
Yıl 2021, Cilt: 18 Sayı: 47, 271 - 281, 28.04.2021

Öz

Kaynakça

  • Adams, E. (1977). Sex roles or true vocation. (Ed. R. Weintraub), Fabian Feminism, London: The Pennsylvania State University Press.
  • Foucault, M. (1995). Discipline & punish. New York: Vintage Books.
  • Gilbert, S. & Gubar, S. (1979). The madwoman in the attic. New Haven: Yale University Press.
  • Gilmartin, A. (1965). Mr. Shaw’s many mothers. The Shaw Review, 8(3), 93-103. Retrieved March 28, 2021, from http://www.jstor.org/stable/40682068
  • Grene, N. (1984). Bernard Shaw - A critical view. London: Macmillan Press.
  • Hemmer, B. (1994). Ibsen and the realistic problem drama. (Ed. by J. McFarlane), The Cambridge companion to Ibsen. Cambridge: Cambridge University Press.
  • Holroyd, M. (1979). George Bernard Shaw: Women and the body politic. Critical Inquiry, 6(1), 17-32. Retrieved March 30, 2021, from http://www.jstor.org/stable/1343083
  • Ibsen, H. (1998). Four major plays. New York: Oxford World's Classics.
  • Moi, T. (1985). Sexual/textual politics. New York: Methuen
  • Öğünç, B . (2017). From Mrs Warren’s profession to press cuttings: the woman question in George Bernard Shaw’s plays. Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, (37), 55-66 . DOI: 10.21497/sefad.328244
  • Shaw, B. (1898). Plays pleasant. New York: Penguin Plays.
  • Shaw, B. (1986). Major critical essays. New York: Penguin Classics.
  • Templeton, J. (2015). Ibsen’s women. Plunket Lake Press, 2015.
  • Weintraub, R. (1977). Fabian feminist: Bernard Shaw and woman. Pensylvania: Pensylvania State University Press.
Toplam 14 adet kaynakça vardır.

Ayrıntılar

Birincil Dil İngilizce
Bölüm Araştırma Makaleleri
Yazarlar

Fırat Karadaş 0000-0002-7546-717X

Yayımlanma Tarihi 28 Nisan 2021
Yayımlandığı Sayı Yıl 2021 Cilt: 18 Sayı: 47

Kaynak Göster

APA Karadaş, F. (2021). VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 18(47), 271-281.
AMA Karadaş F. VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. Nisan 2021;18(47):271-281.
Chicago Karadaş, Fırat. “VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA”. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 18, sy. 47 (Nisan 2021): 271-81.
EndNote Karadaş F (01 Nisan 2021) VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 18 47 271–281.
IEEE F. Karadaş, “VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA”, Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, c. 18, sy. 47, ss. 271–281, 2021.
ISNAD Karadaş, Fırat. “VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA”. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 18/47 (Nisan 2021), 271-281.
JAMA Karadaş F. VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2021;18:271–281.
MLA Karadaş, Fırat. “VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA”. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, c. 18, sy. 47, 2021, ss. 271-8.
Vancouver Karadaş F. VICTORIAN DOCILITY NORMS SUBVERTED IN IBSEN’S A DOLL’S HOUSE AND SHAW’S CANDIDA. Mustafa Kemal Üniversitesi Sosyal Bilimler Enstitüsü Dergisi. 2021;18(47):271-8.

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